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I play sax but I'm learning so much from this young man.

That's not serious. When I wanted to choose my best 10 albums, I ended up having 1250 of them. No kidding.

No Mingus?

Best damn jazz theory and practical explanation on YT. Been looking for this for decades. You've ended my misery!! And apparently thousands of others! Subscribed.

WADR realbook and ireal are very useful...imo

just not being afraid of sounding bad......courage or bravery to play ....record......analyze......then take directional strategy for improvement----thanks for all of your great ideas!!

even your BAD solo sounds good to me!

bro, did you just put kurt rosenwinkell over the entire discography of bill evans and others??? kurt rosenwinkel??? hahahaha whatever "guitarists"

This was incredibly helpful 👏🏾

Hermosa progresión, muchas gracias.

no visual applications play your guitar in the camera

I listen to various versions of the song, and try to keep up. Some are easy, but some players (Thelonious Monk, for example) can be a challenge to follow. I try to sing the tune in my head, or hum it, as the song progresses. I also start a recording at a random place, then try to find my place.

Right away in step 3 don’t like your voice leading because the root of G sounds like shit. The better tone there is to play the flat 9 of G connecting to the diminished down, which is what everyone actually plays.

backdoor dom works well because it’s the tritone sub of the 5 of the relative minor

😎✨✨✨

AL JARREAU'S SOLO ON SPAIN

Like "AnotherAnonymous" I am also not a guitar player, but this is a great summary of chord substitutions in only 13 minutes! You make it all sound easy!

I’m left a little perplexed, not one Bill Evans and there’s way too many to list.

It’s not 10x better. The Ibanez is fine.

On the 251 example you have an F# written for the Dm7 enclosure but you're playing a G.

Cool licks but the midi swing makes it sound not so cool

Mine is my TV being in the same room… and trying to read music. And not noodle

no tablature? i love it!!!

Would not recommend autumn leaves and so what for beginners. Minor two fives and modal tunes involve way more theory and I would recommend to get the basics with major two fives (mostly) first. Maybe afternoon in Paris, there will never be another u, all the things u are, misty, here’s that rainy day, a train, four

Having a good quality instrument also helps us get motivated to practice

Very clear, thanks

"Best" jazz albums or most aggressively marketed by US corporations?

this will help with my midwest emo career when i am older in my young adult years. im 14 yrs old, i have been playing guitar since i was 5

your guitar skills slap

Thanks for sharing, Brent, an excellent explanation of one of the first standards I studied as a student a lot of years ago, you really refreshed my memories of those good ol' times 🙂 Just let me add something I never noticed until now, and that really opened me a BIG window: if you look at the first four tonal key changes (or tonal centers), we have Ab Major, C Major, Eb Major and G Major, which root notes are exactly the notes of AbMaj7 (Ab - C - Eb - G), the first chord of the main tonal center of the song. I never thought about it this way (maybe you mentioned in the video and I didn't catch it), and it could be another way to memorize tonal key changes, what do you think about it? Anyway, the author was a genius...🙂 Thanks again

My jazz preferences are: * New Orleans Jazz Band * Sactchmo and Ella * Stan Kenton Band * Benny Goodman and Teddy Wilson * Duke Ellington Big Band "The A Train" * Nat King Cole Trio * Bill Evans Trio * Ramsey Lewis Quintet * Art Tatum in "Tea for Two (1937)" * Oscar Peterson * Marianne McPartland in "Birdland" * Chet Baker in "Let's Get Lost" * Frank Sinatra * Tony Bennett * Bobby Darin "Mack the Knife" * The Modern Jazz Quartet * Stan Getz in "Girl from Ipanema" * Gilbreto Jobim "Bossa Nova" * Blues Brother band

You should give a sampling of each albums recommended instead of playing some iffy music in the background.

Felt like finally found a comprehensive entry door into the mysteries of jazz arrangements. It took so long to finally find someone who could demistify it like you did. The different tiers of complexity is an excellent way to improve bit by bit. Jats off and a big thank you!

6.16 On the TAB are G B Eb, but You can play G B D!?

4:08 yeah it's me ! what do you need ? :)

Hey, thanks for sharing a digestible bebop primer. As a non-jazz guitarist, bebop has been mostly impetratable to me. Even with the three bebop techniques you show (I totally get there is a whole lot more behind this), a good deal of bebop-inflected jazz now opens up to me. It is great to understand how chromaticism is applied in bebop in a way that removes the "magic" from it. Also, that is a kickass semi-hollow guit-fiddle you have there. Cheers.

hope this works on remix 7 in rhythm heaven fever

Thank you. Straight to the point, super useful. Loved it

1. Louis Armstrong 2. Duke Ellington 3. Miles Davis 4. John Coltrane 5. Charlie Parker *This is what came to mind before watching the video!

This really helps but am just getting back on my Sax for a long time now

Gone with the wind Just like a leaf that has blown away Gone with the wind My romance has flown away Yesterday's kisses are still on my lips I've had a lifetime of heaven at my fingertips But now all is gone Gone is the rapture that thrilled my heart Gone with the wind The gladness that fill my heart Just like a flame Love burned brightly, then became An empty smoke dream that has gone Gone with the wind Gone with the wind Just like a leaf that has blown away Gone with the wind My romance has flown away Yesterday's kisses are still on my lips I've had a lifetime of heaven at my fingertips But now all is gone Gone is the rapture that thrill my heart Gone with the wind The gladness that filled my heart Just like a flame Love burned brightly, then became An empty smoke dream that is gone Gone with the wind Gone with the win